Each photo-encaustic work is a unique original — made in my studio by embedding my own photography into layers of molten beeswax and natural resin. No two pieces are alike, and once a work finds a home, it is gone. There is no edition, no reprint. As the collection sells, remaining works become rarer still.

Available works can be acquired directly, and selected pieces are available for commercial placement with architects, interior designers and brands. If you are interested in owning an original, or would like to discuss framing or commission possibilities, I'd love to hear from you.

For those who want to come closer.

The Collectors Circle is where I share what happens between the finished pieces — work in progress, stories from the field, notes from the studio, and the first sight of new work before it reaches anywhere else.

This is not a marketing list. It is a small, quiet circle of people who care about the work — and I treat it that way.

As a member, you will receive:

The full gallery price list — all available works, all sizes, all editions, sent directly to you. Pricing is not displayed publicly; this is how collectors access it.

A print of the month — each month, one image is made available exclusively to Collectors Circle members in a small limited edition, at a members price. It is never offered publicly and never reprinted. Once the edition is sold, it is gone.

First access to new work — every new piece or edition is offered to members before it is announced publicly, and always at the opening price. As editions sell, prices rise — being on the list simply makes sense.

Private exhibition invitations — personal invitations to open studio events, previews and exhibitions, with first option to acquire before public opening.

Some things are better experienced than described.

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White Horses of The Camargue

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Lost Ponies